I am a mid-career visual artist based in the Northeastern U.S. My work spans multiple mediums— drawing, printmaking, painting, and occasional installation—depending on what best serves each body of work. I love to make. While I do not exhibit ceramics, I consider the practice to be the best therapy out there.

 

I hold a B.S. in Advertising and Design and a Masters in Fine Art. My creative life is rooted in two places: my studio at the Manufacturers Village in East Orange, NJ, and my home printmaking lab. These spaces reflect my intuitive nature—structured yet spontaneous, deliberate yet inspired.

 

Statement

 

Intuition is my home.

 

I am inspired by nature, and the nature of things—the infinite organizing power, beauty, interconnectivity, and freedom expressed in the natural world. It is in the way birds fly, how trees support one another, and how we co-create. I am especially interested in the interplay between human-made constructs and natural systems. Architecture, both organic and built, becomes a metaphor for personal and shared space. These are the forms we create every day.

Currently, I am focused on form, color, and relationships. I work across several mediums, each informing the other. My process shifts between what I see and what I remember, combining deliberateness with spontaneity. This approach supports the way I work best—balancing intention with intuition.

 

In my current series of mono prints, using block-printing and painting I explore views of abandoned places. These images evoke a sense of familiarity—a quiet recognition, as though we have encountered them before. They suggest that the past was inevitable, almost instinctive. As the illusion of time dissolves, our imaginations take over.

 

Through these works, I reflect on how our creations often appear most beautiful in the present moment—more vivid than in memory, and more tangible than in dreams of the future.

My hope is that these prints offer a sense of peace rooted in instinct, and a beauty that emerges through intuition.

 

Process & Practice

Each medium informing the other

Alternating views between looking and memory

Combining the practice of deliberateness and inspiration

Playing with form, color and relationships with collage